перо и мастило

перо и мастило

Historically, drawings have been made by applying ink with a quill pen made by cutting the hollow stem of a large feather, from a bird such as a goose or a swan, to create a nib. Hollow reeds were also cut in the same way and used for writing and drawing. Metal pens succeeded the quill during the nineteenth century. Pen and ink is often used in conjunction with other techniques such as washes. (See also Ink. )

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ส่วนหนึ่งของคำพูด: noun
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Blossary:
อุตสาหกรรม/ขอบเขต: Art history
Category: General art history
Company: Tate
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мастило

Art history; General art history

An ancient writing and drawing medium, ink is still most commonly made of carbon and binders, but historically was also made from plant or animal sources such as iron gall and ...

документарна уметност

Art history; General art history

This term is associated with the artists who documented the harsh realities of British life during the Depression in the 1930s. In a decade dominated by mass unemployment and ...

дигитална уметност

Art history; General art history

The first use of the term Digital art was in the early 1980s when computer engineers devised a paint program which was used by the pioneering digital artist Harold Cohen. This ...

декаденција

Art history; General art history

Phase or branch of Symbolism in 1880s and 1890s and many artists and writers seen as both. Term came into use 1880s e. G. French journal Le Décadent 1886. Generally refers to ...

кустос

Art history; General art history

Museums and galleries typically employ numbers of curators who are concerned with staging temporary loan exhibitions, arranging displays of the museum's own collection and making ...

суд

Art history; General art history

Until modern times royal courts were a major focus of artistic patronage. Monarchs employed their own artists giving them titles such as King's Painter, but they are generally ...

содржина

Art history; General art history

Content generally refers to the subject matter, meaning or significance of a work of art, as opposed to its form. In modern art the dramatic succession of innovations in form from ...